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Mme de Genlis 1780 :
"While leaving Nice one finds the old castle
of Montalban taken by the French in 1744. Two miles further,
we stopped at the sight of the tower of Eze,dominating over
the sea, and whose situation is admirable; at the end of
an hour, we took again our walk. This road is perfectly
named the cornice; in many places it is so narrow that someone
can hardly pass there."
George Sand 1868 :
"It is truly a fairyhood that the panorama of the
cornice
The ruins of Eze, planted on a cone of rock
with a marvellous sugar loaf stop the glance inevitably.
It's the most beautiful point of view of the road, the most
complete, the best made up one. There is for foreground
the formidable breach of mountains wich opens herself just
enough to let appear the Saracen fortress at the bottom
of an abyss dominating another abyss. Above this gigantic
prospect, where the grace and the roughness dispute without
overcoming, rise with the maritime skyline, a colossal spectrum
it is Corsica."
Stéphen
Liégeard 1887 :
"Eze
sinks at the top of an isolated pyramid,
its silhouette get out hardly on the transparencies of the
skyline
The scratches of the path which goes down towards the strikes
seems like the golden laces of its black blouse; The sun
browned its face, the storm and the gun, with the glares
of their thunders, shredded a diadem of ruins to him. Even
the Alps themselves, the snow covered Alps seeing it from
far, should not contemplate it without stupor. Surface or
den, one wonder who suspended it likes that, if it's inhabited,
by which way could you aboard it, and how, if you get there,
it remains possible to leave it.
Jean Lorrain 1905:
"When the almond trees will be in flowers, and that
the blue road will be splashed with pink fleeciness, which
will be as many branches of plum trees or peach trees, at
this moment you'll feel to assemble gulfs and headlands
to Virgilienne poetry of our orchards of olive trees
Ah! the purplish silhouette of the rock of Eze, the golden
arabesques of the Esterel in the setting, at the extremity
of the Bay of the Angels, the nostalgia of the Latin sails,
staining the horizon with rust
"
Victorien Sardou :
"From far, Eze seems naked, without vegetation,
of the colour of the rock where he sat, and like a large
heap of ashes. You hardly leave the cornice, the almond
trees, the flowered peach trees, the thick and fatty foliage
of the carob tree, the silver plated grey of the olive tree,
and the green and thick grass of the meadows rest your tired
eyes of the whiteness of the road
Then you gain the
village, which offers you the proud aspect of an impregnable
fortress. Access crawl, surrounding walls, dwelling all
is cut, built in the rock and makes one with it, so much
that we does not distinguish which one is work of nature,
and which one is the work of man."
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